British conductor Andrew Mogrelia has had an exceptionally versatile career as a prolific recording artist and conductor of both symphonic and ballet repertoire. He has conducted many of Europe’s leading orchestras including the Philharmonia, Royal Philharmonic, BBC Symphony and BBC Scottish Symphony in the UK andthe RTÉ NSO in Ireland; the Nieuw Sinfonietta Amsterdam, Residentie Orchestra and Dutch Radio Symphony in the Netherlands; and the Slovak Radio Symphony and Slovak Philharmonic in the Czech and Slovak Republics, among others.
He was Conductor-in-Residence at the Birmingham Conservatoire (UK) from 1992-2002 and has worked with the National Youth Orchestra (UK & Eire) and the New Perspectives Ensemble at the Royal College of Music in London. From 2005-2012 he was Music Director of the Orchestra at the San Francisco Conservatory of Music, establishing a major programme of orchestral concerts, workshops with distinguished guest conductors and a week- long Residence for composer/conductor John Adams. He conducted Adams’ Harmonielehre and Wound Dresser in the presence of the composer.
Andrew has worked with ballet companies including English National Ballet, Dutch National Ballet, Nederlands Dans Theater, Birmingham Royal Ballet, Finnish National Ballet, Norwegian National Ballet, both Australian and West Australian Ballet, Hong Kong Ballet, and American Ballet Theatre in venues such as London’s Royal Festival Hall and Barbican, Metropolitan Opera House (New York), and Sydney Opera House. He was Queensland Ballet’s first Music Director and Principal Conductor, having begun his association with QB in 2008. He was Music Director and Principal Conductor of San Francisco Ballet from 2003-2005 and in 2009 was named Principal Guest Conductor of Queensland Ballet and returned each season before becoming Music Director from 2013-2015.
In 2016 he conducted the Australian Ballet’s performances of Swan Lake in Sydney, Adelaide and Melbourne, returned to the RTE National Symphony (Dublin) for an Opera Gala and lunch concert and conducted concerts at Queensland Conservatorium and Hong Kong Academy of Performing Arts (both included Stravinsky’s 1919 Firebird suite) and Nutcracker for Hong Kong Ballet with the Hong Kong Sinfonietta.
He has an extensive discography of some 30 recordings on the Naxos label and his recording of the complete Sleeping Beauty was Gramophone magazine’s “first choice among all available recordings”. Contemporary music projects include Birmingham Contemporary Music Group (Maxwell Davies’ Vesalii Icones), and performances of works by Colin Matthews, Ross Edwards, Brett Dean, Steve Reich and John Adams.
2017 engagements included concerts for the Royal Irish Academy of Music in Dublin, Hong Kong Academy of Performing Arts and a performance of John Adams’ “The Nixon Tapes I” with Opera Australia Orchestra, Chorus and soloists in the concert hall of Sydney Opera House in celebration of the composers’ 70th birthday year. Works by Bryce Dessner and Jonny Greenwood are also featured. After this DIPC concert he returns to the Hong Kong Academy of Performing Arts for a concert in June.